MULE CROSSING: Good Basic Training Includes Common Sense, Part 2
By Meredith Hodges
Proper training is much more than just teaching your equine to do “movements.” You are conditioning his body so he can do those movements easily, which in turn produces an equine with a happy and healthy working attitude. In order to do this, you need to be prepared to spend plenty of time during the leading stage of training both on flat ground and then over obstacles, conditioning the “core” muscles that support your animal’s skeletal frame. When training any equine for saddle or driving, you will need to spend an adequate amount of time on correctly conditioning his body. To assure that there is no undue stress on his body, your equine should be at least three years of age when a rider is introduced. If you look at the configuration of the equine spine, it’s easy to see how important it is to strengthen the muscles that support the tall, finger-like spinus processes that protrude from the equine’s interlocking vertebrae—these spinus processes are what a rider actually sits on and must be supported along the topline by strengthened musculature on both sides of the spine.
Approach to Obstacles, Stage One:
At this stage, you need only focus on negotiating the obstacle: replacing fear with curiosity, instilling trust and confidence, and just getting your equine through the obstacle. When doing obstacles on the
lead line, keep in mind that you are not only teaching your equine to negotiate an obstacle, you are also conditioning the muscles (especially the ones that are closest to the bones) while, at the same time, teaching balance, coordination and self control. In showmanship training, you focused on strength and balance on the flat ground. While working with obstacles on the lead line, you will now begin to add coordination during this second phase of obstacle training. Remember: Do not put obstacles in your equine’s stable area and/or living quarters, in an attempt to make him “live” with the obstacle. This only serves to create insensitivity and in some cases, cause greater fear. The stable area should always be your animal’s resting place, just as our bedrooms are for us—a place of rest, relaxation and privacy.
If your equine is not easily approaching an obstacle such as a bridge, tarp, ground poles, etc., do not wait and withhold the reward until he actually makes it over or through the obstacle. Lower your expectations and go back to your lead line training: Walk to the end of your lead line, hold it taut and wait for your equine to step toward you. Even if he only takes one step at first to comply with your request, give him his crimped oats reward, tell him how brave he is being and praise him for his accomplishment. Let him settle, leave him where he is and walk to the end of the lead line again, getting even closer to the obstacle, and repeat the same routine. When you finally reach the obstacle, step up onto the bridge or tarp, or over the first ground rail, and ask again. Stop him if he tries to run through or over the obstacle and reward him for standing with his front feet on the obstacle. You might even want to back him up, and then reward him for doing the back up before proceeding forward. Next, lead your animal away from the obstacle and then come back, requesting that he put all four feet onto or into the obstacle. Repeat this procedure again and ask him to negotiate the entire obstacle slowly and in control. Breaking the obstacle down into small steps like this will facilitate your animal’s body control and help him to learn to keep his attention on you—and don’t forget your verbal commands.
When your equine is more willing to come through the obstacle, you can regain your showmanship position, with your left hand carrying the lead line and your right arm extended in front of you, pointing toward the direction in which you will be going. When he is finally listening and will follow at your shoulder over or through the obstacle and stop or back up at any point during the negotiation of the obstacle, you can then turn your attention to whether he is actually traveling forward and backing up in a straight line, and whether or not he is stopping squarely. Do this the same way first on the lead line, then much later in the drivelines and, lastly, under saddle. How he negotiates the obstacles will have a direct bearing on how his muscles are being conditioned and how his balance and coordination are being affected so don’t be afraid to ask for more precision going forward.
Approach to Obstacles, Stage Two:
Now you will be going through the same obstacles, but with body strengthening and coordination in mind. Since, in the beginning, balance is very sketchy at best, you should break all of the following obstacles down into very small steps.
Ground Rails and Cavalletti: Four ground rails and four cavalletti are good tools for straight, forward exercises that will promote stretching of the body in true and correct forward motion. These exercises will also develop rhythm, balance, cadence and suspension within the gaits, first on the lead line, and then later during ground driving and under saddle. Ground rails and cavalletti are also great for enhancing your ability to stay in stride with your animal. You should first do the exercises over the ground rails. Then, for jumping training, you can graduate to the 6″ cavalletti setting, then the 12″ cavalletti setting and, finally, the 18″ cavalletti setting. Your equine will learn to suspend and place his feet in a balanced and deliberate fashion while you learn to do the same. Getting in rhythm with your animal’s stride will improve your equine training experience and make things a lot easier and safer.
The Bridge: The bridge obstacle will help develop your animal’s eye/hoof coordination. Those first steps onto a bridge will determine how the rest of the body will follow. Approach the bridge, and then
stop at the base, square up your equine and stand for a few seconds. Then ask him to put his two front feet on the bridge, square up and, again, stand for a few seconds. Next, ask him to put all four feet on the middle of the bridge, square up and stand still for a few seconds. Now ask him to take his two front feet off the bridge and leave the two back feet on it and square up again. Most equines can do the first few positions pretty easily, but when the front feet go off the bridge, the equine’s balance is often thrown forward and they find it very difficult to stop in this position. If he is able to sustain this position for several seconds before you give the command to continue forward, he has completed the bridge work.
If your animal is having difficulty with this position on the bridge with you in the showmanship position, you can use a second technique when coming off the bridge. Stand directly in front of your equine and hold the halter on both sides of his face to help keep him from falling forward. This is one time when it is preferred to have a nylon webbed halter that fits his face. If he has been properly trained up to this point, he should not run over you, but will accept the aid of your arms to help support him in the correct position. This is one time when it is acceptable to violate the rules of being in the “danger zone,” which is the area directly in front of your equine. The equine that is trained in this manner will be able to negotiate the bridge and halt at any time upon request with no visible effort (i.e., no change in stride, balance, rhythm or cadence) and will learn to wait and listen carefully to each of your commands, first on the lead line, and then later on the drivelines and finally under saddle.
To learn more about Meredith Hodges and her comprehensive all-breed equine training program, visit LuckyThreeRanch.com, MEREDITH HODGES PUBLIC FIGURE Facebook page, or call 1-800-816-7566. Check out her children’s website at JasperTheMule.com. Also, find Meredith on Pinterest, Instagram, MeWe, YouTube and Twitter.
Covered in TRAINING MULES & DONKEY: A LOGICAL APPROACH TO TRAINING, TRAINING WITHOUT RESISTANCE, EQUUS REVISITED and A GUIDE TO RAISING & SHOWING MULES at www.luckythreeranchstore.com.
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Many times I have been asked, “Is training a mule any different than training horses?”
Showmanship training is not just for the showmanship class at a show. Perfecting your showmanship technique every time you have your equine on a lead line will command his attention to detail, build his confidence in you and insure that he is strengthening his muscles properly throughout his body at the most basic level.
When you ask for a halt, stop with your feet balanced, your weight distributed equally over both legs and still facing forward. Give your equine a second or two to settle and then turn to face his shoulder. If his legs are already square, you can then give the crimped oats reward for stopping. If they are not square, take a moment to square up his legs and then give the reward. Praise him for standing quietly for a few seconds and allow him to settle. You can then face forward again, point in the direction of travel, give the command to “Walk on” and walk a few more steps before halting again. Add more steps each time before halting. Whenever you practice turning, always turn the equine away from you—never into you. To insure optimum balance, practice leading him through these exercises from BOTH sides.
When executing a turn to the right, assume your leading position and then point in the direction of travel, asking your equine to take one step forward with the right front foot then cross the left front foot over the right to make the turn. Your own legs should execute the turn in sync with your equine’s front legs, giving him a good example to follow. Although you will rarely have an occasion to actually lead from the right side, be sure to practice from both sides to insure symmetrical muscle development. Dispense rewards, but only after he has completed what you have requested.
Once he has learned to follow and to do the “moves,” you then need to help him fine-tune these moves, making them as steady, balanced and coordinated as possible. He should learn to walk, trot and back up in straight lines, to stop squarely and to execute smooth, properly arched turns. Remember that your equine will follow your lead, so always pay close attention to your good own posture and “way of going.” Equines and humans have corresponding body parts, so if you are stiff or off-balance in any part of your body, your animal will exhibit the same problem in his body.
Maintain your own balance and rhythm, and ease into transitions from walk to trot and trot to walk smoothly and in rhythm and cadence—and so will your equine. Ask him to stand squarely each and every time he stops. Set up his back feet first by pushing on the lead rope with your hand directly under his chin in a diagonal motion toward the back foot that is forward. Push and release (in a diagonal motion only) the lead rope toward the forward foot as much as it takes to move it into line with the other back foot. Once the back feet are in line, set his front feet by pulling and releasing gently forward (again, in a diagonal motion only) to align the front legs.
As your equine gains strength, you will notice that he now carries his body differently. He is more balanced, solid and steady, and is able to stop squarely at every “whoa,” regardless of the gait. As he frolics in the field, notice the dramatic change in his play patterns. He will be much less awkward.
In the past, when equines ran free, they were unencumbered by human interaction and could build and condition their muscles naturally. Today, with increased population but reduced open lands, their activity is often restricted. It then becomes our responsibility to not only train them, but to prepare them physically to perform and keep them happy in their environment. This responsibility becomes even more important when we ask them to exert more energy than normal, in activities like long trail rides, endurance events, showing and equine-related work. Proper preparation for this modern-day lifestyle will help to minimize your equine’s stress, both physically and mentally.
Understanding the prey-predator responses can help to guide us in the training of our equines, but because of the change in the environment, it shouldn’t completely define our training methods. The prey animal that is uncomfortable with making direct eye contact with the human “predator,” for instance, is virtually trapped in a confined environment in which he has no control and can therefore become anxious and difficult to handle. We are taught not to make eye contact with him until he is willing to face us. We are taught to “chase” him in a round pen until he does.
instance, the equine that is “trapped” on a lunge line and asked to reverse toward the handler will inadvertently be improperly set up to take the new trotting diagonal, or the new lead at canter, from a position that actually “tangles” his hind legs and causes him to fumble into the new diagonal or lead. This mistake can become painful and even detrimental to the stifles as he jumps out of the entanglement and can cause resistant behaviors which are often punished on top of the physical pain he is already experiencing.
his body symmetrically in good equine posture. Once he has established good equine posture and balance over a long period of time doing appropriate exercises, he will then be better able to efficiently reverse towards you on the lunge line by changing direction from a position of balance rather than an awkward imbalance.
Be a true leader and learn to set boundaries for your equine with appropriate corrections for bad behaviors (which can be found on our website and in our products). Make these corrections quickly and then immediately return to a clear definition of what you expect and make sure that it is easily doable for your equine at each step. Every animal on the planet will correct another’s misbehaving with a very clear and undeniable gesture that will stop the abuser promptly in their tracks. Take note. This is not abusive, but rather a very clear communication of what’s right and what’s clearly wrong. In fact, in the case of the mule attacking the puma that has circulated the internet for the past few years, it was clearly a case of the mule engaging in the hunt with his human “friend.” So, who is really prey and who is predator in this particular scenario? Sometimes we just need to change our perception or understanding of things and deny all-encompassing generalizations and stereotypes.
being. In the practice of true Behavior Modification, all five senses should be employed: sight, hearing (voice), smell, touch and taste. These are all innate ways to communicate effectively. Any distractions should be eliminated when communicating with your equine—put away the electronic devices, clickers and loud whips, and avoid abrupt noises.
In Part 1 of Getting Down with Minis, you learned how to begin the relationship with your miniature equine in a positive and natural way that fosters good behavior and a solid relationship between you. You also learned the importance of getting down to your mini’s eye level so that he can make eye contact with you, which discourages striking, jumping on you and other bad behaviors that are common when working with miniature equines. In Part 2, I discussed how important it is to successfully complete the tasks in Part 1 before moving on to Part 2 and explained why it is advisable to work minis in groups, as they perform better when they are with their friends. You also learned how to train minis to go over and around various obstacles. Remember that all of this is to be done with no expectations that may overwhelm your mini—it is better if you maintain an attitude of fun and games. In Part 3, we got down to some serious groundwork training so your mini can be used for the purpose of driving and showing in hand. He learned to lunge and to be ground driven in the round pen and in the open arena through the hourglass pattern and if part of a team, how to do these things as a team. In Part 4, you worked on obstacle exercises on the drive lines to increase strength and coordination.
Spend as many tire drag lessons as it takes in the round pen to be sure your mini is driving easily and smoothly before graduating him to the open arena with the tire. Just as you did with simple ground driving, once he is ready, let your mini drag the tire while ground driving him through two rotations of the hourglass pattern, and then cross the long diagonal and do two more rotations in the opposite direction. Make halts often so rewards can be dispensed for a job well done. Do not make any abrupt turns or try to add speed before you are completely competent with the lines and your mini is responding obediently. Ground driving is as much for you to learn good Reinsmanship as it is for your mini to learn to drive correctly. If training more than one mini, just tie whichever mini you’re not working with at the moment off to the side and have him wait his turn before ground driving the two as a team. The frequent halts with rewards will teach him to stay clam and remain still when asked.
Before actually hitching your mini to the vehicle, be sure to check all harness straps and make sure they are correctly adjusted. While you do this, you will also be teaching your mini (or minis if a team) to stand still in the cross ties, which will make hitching much easier. Checking all harness straps can be done anywhere that your fences or hitch rails are close enough together to accommodate the cross ties and still allow enough room for a single mini (or team) and the vehicle. During this lesson, all you need to do is put on and adjust the harness, hitch to your vehicle, have your mini (or team) stand quietly while being rewarded and then take everything back off. Before leading your mini(s) away from the vehicle, spend some time rewarding again for standing still and staying in position.
your assistant to stand in front and to the side of your mini with a lead rope attached to a ring on the noseband (not the bit) of your mini’s harness bridle. When ground driving a team, you will need to use two assistants. Ask each assistant to stand on either side of the team. Once your mini is harnessed, and when you are seated in the vehicle and ready to go forward, ask your assistant to unsnap the cross ties and release your mini while your assistant stands at his head. Now ask your mini to “walk on.” Let him go just a few steps and then ask him to “Whoa.” If your mini does not stop promptly, your assistant can help by pulling back on the lead rope with a pull/release motion while, at the same time, you pull back on the drive lines with a pull/release motion. When he does stop, have your assistant give him his oats reward. Let your mini settle before asking him to back a couple of steps and halt again. Reward him for halting and end the lesson there. The object is to allow your mini enough time to understand what you are trying to teach him and respond accordingly so he can be rewarded without spending so much time that he gets bored and sucks you into a confrontation.
When your mini is hitched to a vehicle, make a very large hourglass pattern to accommodate your vehicle. His familiarity with this pattern will help him to feel calm and gain confidence while being driven. Every time you end a lesson, keep your assistant at your mini’s head until your mini is fully unhitched from the vehicle. NOTE: Always remove the harness bridle last. Once he is unhitched, make your mini stand where he is while you come to him, then reward him and lead him away. This is how he will learn to wait for you and will not become antsy and uncontrollable. Routinely practicing good manners, setting up an environment for success and approaching your mini with a calm and deliberate attitude will all help him to become a quiet, safe and reliable driving animal.
In Part 1, you learned how to begin the relationship with your miniature equine in a positive and natural way that fosters good behavior and a good relationship between you. You also learned the importance of getting down to your mini’s eye level so that he can make eye contact with you, which discourages striking, jumping on you and other bad behaviors that are common when working with miniature equines. In Part 2, I discussed how important it is to successfully complete the tasks in Part 1 before moving on to Part 2, and I explained why it is advisable to work minis in groups, as they perform better when they are with their friends. You also learned how to train minis to go over and around various obstacles. Remember that all of this is to be done with no expectations that may overwhelm your mini—it is better if you maintain an attitude of fun and games. In Part 3, we got down to some serious groundwork training so that your mini can be used for driving and showing in hand. He learned to lunge and to be ground driven in the round pen and in the open arena through the hourglass pattern and, if part of a team, how to do these things as a pair.
The “Elbow Pull” supports good equine postural balance and acts much like the balance bar that is used by a ballet dancer until she or he is strong enough to hold any postural position in the middle of the room without support. This becomes very important when your mini is in draught (pulling an obstacle or vehicle) in order to make sure he will pull correctly, and symmetrically condition his body’s muscles to avoid future injury to the internal structures within his body.
By now your mini has already learned to ground-drive the hourglass pattern and has negotiated the obstacle course on the lead line. There are still more obstacle exercises you can do to strengthen your mini and improve his strength and coordination to prepare him for driving before he is ever hitched to a cart or carriage. Now he is ready to learn to ground-drive the obstacle course. The obstacle course exercises will increase his confidence in being in the lead and help him to go bravely ahead of you upon command.
Approach each obstacle on the drive lines and if he balks and refuses to go forward, just stop, gently lay the lines over his back and then lead him through. Then go back and try again on the drive lines. In order to alleviate any fear or confusion your mini may feel, remember to “get down” to his eye level whenever possible. NOTE: Don’t forget to always reward him with his favorite crimped oats for compliance.
Once your mini is willing to go straight through the obstacle with a calm attitude and no balking, you can then begin to break each obstacle down into smaller, easier steps, rewarding and praising him for each success. If he is apprehensive about any obstacle, you should lead him through these smaller steps with frequent halts before attempting to ground-drive him through. He may need these detailed “explanations” before he is willing to “take the lead.”
If you are training him on the bridge obstacle, go to the landing, stop, square up, put the lines up and reward, then resume your position and drive him up onto the bridge, but with only his front feet on the bridge, and then stop again. Put up the lines, walk forward and reward. Then drive him completely onto the bridge, stop, square up, put up the lines and reward. If he is having problems squaring up on the lines, then just square him up when you get to his head before you reward him.
You can ask him to take full responsibility for perfect balance and negotiation of the obstacle later. For now, your primary task is to help him get through the obstacles successfully and with as little help as possible. Breaking obstacles down into smaller steps will increase his balance, coordination, agility and self-confidence. Even after he has become competent while hitched to the vehicle, you can use ground-driving obstacle exercises in the “Elbow Pull” to finesse his movements during future lessons. It will add variety to your mini’s lessons and continue to promote health, coordination and good equine posture.
In Part 1 of this article, you learned how to begin your relationship with your miniature equine in a positive and natural way, and how “getting down” to their eye level so they can make eye contact with you discourages striking, jumping on you and other bad behaviors that are common when working with miniature equines. Be sure you have successfully completed the lessons in Part 1 before moving on to the lessons in Part 2 or training may not yield the desired positive results. Also, if possible, it is best to work minis in groups if they are used to being with other equines, as they perform better when they are with their “friends” and it doesn’t hurt to train their friends in the same way.
in Part 1), but this time you will be in the work station and you will have a guest…the farrier. Before the farrier attempts to pick up the first foot, ask him to sit down beside your mini in front of the shoulder on the left side and offer a handful of oats as a way of introducing himself. Next, while you sit at your mini’s head and offer the oats reward for good behavior, have the farrier begin with the near side (left) front foot and work his way around from front to back, and then from back to front on the other side (right). While the farrier is working, talk calmly and encouragingly to your mini, and as long as he is doing what is asked of him, offer rewards generously. He should yield his feet easily, but if he does not don’t offer the reward until he complies.
Don’t shove your mini when you want him to move over. Rather, give him some oats and use your index finger to tap or poke him on the side of his ribcage. If he doesn’t move over, use your whole hand to give him a slight push, always using a “push and release” movement, which is non-confrontational. You don’t want to keep steadily pushing up against him, because as soon as you give him anything to push against, he will and you could find yourself in a pushing match or, worse, a confrontation with him. As soon as he complies and moves, give him the oats reward and slide your body in next to him to help hold him in position for the farrier as he works with each foot. Don’t be afraid and always stay on the same side as the farrier. If the mini decides to make an abrupt move, he will try to slide around you because equines really don’t like stepping on, or running over, soft, squishy things like our bodies, so if your mini can get out of your way, he will. Even if he was to jump up in the air, he would more than likely jump over or around you, taking the path of least resistance. Trust your mini, stay calm and avoid becoming tense or exhibiting fear and things should go smoothly.
This approach becomes particularly important when negotiating something like a dock or a bridge where you are not only dealing with an obstacle, but an obstacle that makes you substantially taller than you already appear to your mini. This is another instance when you can “get down” on your mini’s eye level the way you did in the pen and at the work station. Remember to do things in small steps. When you walk onto the surface of the dock or bridge or any other large, flat surface, leave enough room for your mini to come up. When you get to the end of the lead rope, take up the slack and then sit down and offer the reward. Then, once your mini has negotiated the obstacle, give him the oats reward and just have another picnic. If a companion equine is accompanying you, be sure to tie the companion animal in front of the obstacle so your mini can always see him. If you tie him behind, your mini will worry and want to go back instead of forward.
When you are ready to step down off the dock or bridge, it would be unsafe to be lower than your mini, so at this point you should stand up, go to the end of the obstacle and ask him to come forward off the raised obstacle, making sure he has plenty of room to come off the obstacle without you having to move. Stand quietly and keep the lead rope taut as you verbally encourage him and invite him to come down off the bridge. As soon as he jumps down, ask for a halt and reward him for jumping down and stopping right in front of you. (He will learn to negotiate the obstacle more slowly with practice.) Once he has finished negotiating the obstacle and halted and is chewing on his reward, you can then proceed to the next obstacle. Having definite, purposeful and timely pauses will help alleviate anxiety and resistance in your mini.
longer he must go without making eye contact with you, the greater the chance of resistance, but eye contact on his level will give him confidence in your judgment and will help to facilitate a real bond between you. If negotiating an obstacle such as a tractor tire or six tires, just extend the lead rope over the tire or tires, sit on that side, keep the rope taut and proceed as you did with the bridge obstacle.
I call this technique “OATS.” (Observe, Approach, Touch and Sigh). It allows your mini time to observe each situation, then approach and touch the obstacle, finally giving a sigh as a signal that he is relaxed and not afraid. Always reward him for his efforts so he can begin to gain confidence and trust in you. By following the OATS technique you are turning your mini’s fear into curiosity, which will serve to keep him calm in future situations.
By Meredith Hodges
The show secretary is responsible for taking minutes of all show committee meetings and often acts as liaison to the show manager. It is the secretary’s duty to see to it that mailing lists are complete and potential exhibitors are notified of the impending show and are kept up to date. The secretary checks the public relations work done on the show by the public relations person, and in some cases, assumes this duty himself. The secretary records entries and receives funds sent in by exhibitors. Any program changes, protests, etc. are recorded by the secretary. The secretary is responsible for recording show results and mailing them to appropriate recipients, and to see that the results are released to the public in a timely fashion. The treasurer is responsible for handling and depositing funds used for the show and often aids the secretary in his duties. It is the treasurer’s duty to see to it that all expenses for the show are accounted for and paid and that a detailed report of such is given to the secretary.
Judges are selected by the show committee and are paid for their expert opinion. Judges should be briefed by the show secretary as to the duties they will be expected to perform which sometimes may include designing courses for the competitions. A set of rules should be sent to the judge well in advance of the competition to allow for any questions that might need to be answered. The judge should not be asked to interpret the rules. Rules should be made clear enough that he can make his decisions easily, which are in turn deemed final. Judges are given the power to combine, or split classes where appropriate. The judge should not socialize with exhibitors until the competition is over to preserve his objectivity and integrity. When time permits, the judge should give reasons for his decisions to give credence to his choices and to help exhibitors learn. The judge should be knowledgeable, congenial and professional about his duties.
The ring steward, or judge’s aid, has many varied duties. First and foremost, it is his duty to see to it that exhibitors adhere to the rules of the competition. It is his duty to interpret the use of the rules and not the duty of the judge. The ring steward is responsible for listening to and reporting complaints or protests. Although he has no authority in connection with the management or the judging of a competition, he should point out in a diplomatic manner any instance where rules are not being adhered to and report any violations to officials.
He needs to be available to judges, officials and exhibitors at all times. He is to supervise and record any timeouts for tack changes or equipment breakage, and to measure animals where required. He is to conduct the breaking of ties in classes and to deliver the judge’s decisions to reporting officials. The ring steward is responsible for all medication forms, reports, and testing, with the aid of the secretary and the veterinarian. He is responsible for the accuracy of competition lists of entries and their class placements as reported by the judge and is to see to it that completed lists are given to the show secretary. The ring steward should protect the interests of the exhibitors as well as the integrity of the show. The ring steward should see that the competition moves along in a timely fashion. He, with his various duties, is a key entity for the success of the show.
Scorekeepers and timers are used to record scores and times for specific classes and should be equipped with the proper tools to facilitate their jobs. Flags, stopwatches, time sheets, calculators, and writing utensils are necessary items. Scorekeepers should be prepared to keep times and scores updated continually so that championship classes can be announced quickly and easily.
provided by the Ring Steward. It really helps if he has that “announcer’s voice” and is an animated character!
Parking Attendants and Stable Managers should be used when necessary to assist exhibitors in loading and unloading, and in the parking of their trucks and trailers. They can make the difference when it comes to traffic congestion at the show. Parking attendants may also be requested to take note of the owner’s vehicles, so that they may be notified quickly in the event of an emergency with their vehicles. This can help prevent theft or vandalism. The Stable Manager sees that each animal is efficiently unloaded from the trailer and is escorted to his respective stall. If the show is providing hay, he will make sure each exhibitor has as much hay as they need and that any other needs are provided. Newt Elsdon was the model Stable Manager and Show Committee member for the Bishop Mule Days Celebration for many years.
Last, but certainly not least, are the show veterinarian and farrier whose expertise are to be used for emergency show situations. An exhibitor should not expect to use their services for regular maintenance at the show unless pre-arranged. Veterinarians and farriers should be booked well in advance of the show to allow for their busy schedules. Alternates should also be booked and at the show, their areas should be clearly marked and they should be easy to locate.













By Meredith Hodges
The gift we have found with Longears is one that needs to be shared with others that they might also experience the joy and pleasure of these animals. In this hustle-and-bustle world, it is easy to miss out on the things that are really important like love, sharing and simple pleasures derived from personal growth. Mule and donkey shows are the vehicle we can use to bring these things to light and revitalize the appreciation of Longears. The show ring is a place where mules and donkeys can exhibit the results of experiments in a new realm of performance. Challenges are made and met with both humor and enthusiasm.
transportation, inopportune geographical locations and the fear of politics. We must remember, however, that this intimidation was born of the horse show formats. There are literally millions of horses being shown all over the world and out of necessity the shows were divided and specialized according to ability and breeding. This is the only fair way to progress and still accommodate the growing numbers of equines and their owners. In the midst of this overwhelming competitive spirit, we sometimes lose sight of the true benefits of showing. Showing should be an opportunity to test your equestrian skills and to share new ideas and concepts with others. It should be fun and enlightening.
Because mule and donkey showing is relatively new, there is much to be gained by participation. Those who feel that their animal is not of show quality can still attend shows and learn a lot about Showmanship, grooming and training skills. This development of new skills can make all the difference between show quality or not, particularly in performance events. Newcomers to showing also give the audience something extra-special. Their enthusiasm is often contagious and the audience is subtly invited to virtually join in the show. This is something that they too could manage and enjoy. Those who feel they just cannot get in enough training time can still participate in today’s donkey and mule shows as the class roster will usually include a lot of fun classes. If they do not, it is a relatively simple matter to contact show representatives and request these classes for your area. There are enough mule and donkey clubs today to sponsor all kinds of shows and one need only contact any one of then to acquire any information needed.
Time and money are a great hindrance to showing today. Economic problems are quite prevalent these days, but as they say…”where there’s a will, there’s a way!” With careful planning and setting of priorities, one can determine the number of shows to attend in a season. Those of us who sponsor and work on shows are sensitive to the needs of our exhibitors and are willing to help in every way we possibly can. Most donkey and mule shows are not all that expensive and can be managed fairly easily. At most of the larger shows, those who wish can tie up to their trailers and save the stall fees. This is true in a lot of regions. Entering fewer classes will also save money and still provide you with the important learning and social benefits of showing. There are so many different sizes, colors, and abilities in mules and donkeys that we really need as many to participate as possibly can to properly represent our longears breeds.
ast, but certainly not least, a word about politics. In the mule and donkey industry, we are promoting donkeys and mules. As individual animals meet new challenges and succeed, we should all feel a little warmth and joy for that individual who has obviously worked long and hard, and who stands as a representative of his breed. We can all be proud of his contribution to a greater cause. When in competition, compete against yourself and learn to derive joy and pleasure from your own improvements. There is a lot that showing has to offer besides ribbons and trophies. Showing gives you the opportunity to test your skills and to measure successes. It affords one the opportunity to assess different skills, make personal choices and to expand social interaction and education among those of similar interests. But most of all, showing gives each of us the opportunity to do our part in support of our beloved donkeys and mules!





Why does Dressage training lend itself so well to training mules? In order to answer this question, we need to have a clear understanding of what Dressage really means and how it pertains to the mule’s mental and physical development in relationship to our own expectations. When most of us think of Dressage, we picture in our minds those elegant Lipizzaner stallions of the Spanish Riding School in Vienna, Austria.
I have found that my mules will exhibit resistant behavior when they are confused or frightened, but never out of “stubbornness.” Often, we take it for granted that, since a young mule can walk, trot, canter, back up, etc. by himself, he should be able to do all these things with us astride. What many people don’t realize is that mules are born with as diverse postures as humans, and there are few mules that will exhibit good equine posture without being constantly reminded. People compensate continually for deficiencies in their own body structure, and posture will vary from person to person and situation to situation. For example, a straight-backed chair will cause most of us to sit up straight, which is healthy for the spine and neck. On the other hand, the sinking comfort of a plush couch will produce a collapsed posture, which can eventually produce sore back and neck muscles. In a similar way, a mule will have to sacrifice his good posture to accommodate an unbalanced and inexperienced rider.
By taking the time to condition and strengthen their muscles, we allow our mules to engage in physical exercise that is not taxing and painful, thus, keeping their mental attitude fresh and happy. By conditioning your mule in a carefully sequenced pattern of exercises, you will more often avoid the possibility of throwing him off balance and into the confusion and fear that will lead to resistance and disobedience. With your own posture in mind, you can develop the rider and mule as one unit. The process is slow but thorough, and mutually satisfying.
Equipment use plays an important part in the breaking saddle used, but many trainers today will agree that the less complicated equipment is used in the beginning, the better. The Western saddle may certainly be used for breaking but, from the mule’s standpoint, the Western saddle is heavier and there is quite a lot of leather between you and your mule, which can cause a certain amount of interference in communication. If the mule cannot “feel” his rider well, often times a leg or rein aid can come as a surprise and produce a response that is predisposed to resistance. For this reason, I prefer to start training in an all-purpose—or Dressage—saddle. However, I would recommend training in a Western saddle for the less-experienced rider, or if you are training a more easily excitable animal.
As in any exercise program, it is not advisable to drill and repeat every day. With a mule, as with any athlete, muscles need to be exercised and then allowed rest for a day or two between workouts to avoid serious injury. In between Dressage days, you can take your mule for a simple trail ride or just let him rest. The time-off and a variety of activities will keep him fresh and attentive. Three times a week is usually sufficient, with Dressage training for his proper development and conditioning, two days of simple hacking or trail riding and two days of rest. This also takes the pressure off of you. If you’re not into riding on a particular day, you won’t feel like you have to because your mule will retain his learning without the added stress of drilling day after day. Try to think of your mule’s training in terms of yourself: Would you care to be drilled to exhaustion day after day? How would you feel mentally and physically if you were? Dressage—whether it is basic or the most advanced—is a French word for training. It is thoughtful, considerate and kind, and will produce a mule that is mentally and physically capable of doing anything you might like to do with a relaxed and willing attitude. It may take a little longer, but the result speaks for itself.
There are so many equine-related products on the market today that it is often difficult to decide which ones you really need and which ones you don’t. For instance, the subject of Splint Boots and Leg Wraps can be very confusing. How do you know when to use them? What types of Leg Wraps or Splint Boots are best? Do they really help? In what ways do they help? What kind of material should they be made from? And the list of questions goes on.
are also used for support during training. These types of wraps are commonly used during Dressage training and typically only cover the Cannon Bones and not the fetlocks and pasterns. If you use Polo Wraps, or quilted cotton pads and wraps, learn to wrap them correctly to avoid pressure points that could cause circulation problems. Begin the wrap by placing the quilted pad or cotton pad in place around the Cannon Bone. Start the wrap at the center of the Cannon Bone, measure the tension on the wrap to make sure it does not interfere with circulation, that it is just snug and wrap down to the Fetlock joint. Then wrap upwards to just below the knee and Velcro the wrap in place. To keep the wrap from sliding down, use Duct tape just below the knee with one rotation of a tighter wrap to keep it in place. Consult with a professional to learn the proper wrapping technique. It is usually a hands-on lesson with a lot of practice! When they have lost their elasticity, it is time to throw them out.
After his basic training, when your equine is participating in more stressful activities such as Jumping, Endurance, Reining and Racing (or in the case of an injury), it may become necessary to use a more supportive boot to lightly support already conditioned muscles and tendons. Support boots are designed to provide even support over the entire area that they cover. Be careful that they are neither too tight, nor too loose. You don’t want the boots so tight that they cut off the blood supply to the covered area, or not flexible enough to allow the joints to move freely. However, you don’t want them so loose that they ride down the legs.
lameness if damaged, even by a small, seemingly insignificant cut or bump. If a hoof is unusually dry, severe cracks can occur. It is advisable to routinely use a hoof dressing in addition to the “Bell Boots’ to prevent traumatic cracking during repeated concussion.
You might be asking yourself, “How can I tell a minimal support boot from a fully-functional medical support boot?” This can be quite confusing considering all the different kinds of leg wraps and splint boots that are out there. Some even look identical, but are not. Off-brand Splint Boots look a lot like Pro Choice Splint Boots, but they are made from inferior-quality materials that do not afford the degree of support and flexibility needed for successful therapy. Although these off-brands are designed for support and do cover the joints, they should be considered as more of a protective boot than a Therapeutic Boot. Splint Boots are strictly for the protection of the Cannon Bones because they do not cover the joints and offer very little support.
By Meredith Hodges
Mules can be lovely, obedient and secure Side Saddle mounts when they are brought along correctly as has been exhibited nationally by Crystal Elzer and her mule, Final Legacy. I also fondly remember Ann Hathaway and her Dressage mule, Baby Huey, exhibiting Side Saddle in the Bishop Mule Days parade years ago. I judged the A.D.M.S. Nationals in Austin, Minnesota, and again, I witnessed a sprinkle of elegant Side Saddle riders on mules. In the state of Colorado, there was a surge of Longears Side Saddle riders beginning in 1983. The Side Saddle class for mules at the National Western Stock Show in Denver, Colorado previously had no less than 10 entries in the Side Saddle Class since its beginning in 1983 when an entire mule division was brought back after a long absence from the show.
Generally speaking, people are quite impressed with the ladies who ride aside, and a common question often arises, “You sure look elegant, but how on earth can you stay on that way?!”
My daughter, Dena and I truly enjoyed riding aside both in shows and in parades. Dena was thrilled to be able to finally best seasoned Side Saddle rider, Crystal Elzer in the Bishop Mule Days Side Saddle class. Crystal was a practiced Side Saddle competitor from California at Bishop Mule Days that had bested her for the previous three years.
The training of your equine for Side Saddle should be accomplished fairly easily if your animal has a good foundation to start, and those trained in Dressage will convert the most easily. The absence of the leg on the right side gives problems most often during the left lead canter and during the leg yield left. Though many ladies will use a whip as a substitute for the right leg, it is not necessary. The animal at the higher levels of training (1st Level Dressage and above) have learned to follow your seat, and will do quite nicely staying under your seat as you move through the patterns. If your animal needs additional support, it can come through supportive indications through the reins. To achieve the left and right lead canter, for example, a slight push with your seat and a squeeze/release on the indicating directional rein will tell your animal the correct lead to take. It’s that simple!
There are quite a few existing Side Saddle organizations today that are available to those of you who might be interested in taking lessons and participating in shows and award programs. You can check your local area for one near you or you can contact the International Side Saddle Organization, 75 Lamington Rd., Branchburg, New Jersey, 08876-3314, (706) 871-ISSO (4776),
If you think you might be interested in learning to ride aside, contact one of these organizations to find out what people you should contact in your area to help you and others that share your interest. The feeling of elegance and accomplishment is unmatched. Our world could use a little more whimsy and romance to help the modern woman to enjoy her dignity and elegance in this fast-paced world. Hats off to the lovely ladies who ride aside!
In order to perform the shoulder-in properly, it is important to understand its purpose. The shoulder-in causes the equine to engage his hindquarters so that they carry the bulk of his weight, giving him more freedom and suppleness in his shoulders and front quarters. A strong base must be established to carry this weight forward while the shoulders remain light and free to proceed forward while tracking laterally.
Begin by walking your equine around the perimeter of the arena. When you reach the corner before the long side, make a ten-meter (30-foot) circle. As you close your circle at the start of the long side of the arena, maintain the bend that you had for the circle, using steady pressure on your inside rein. At the same time, nudge your equine with alternate leg pressure in synchronization with his hind legs as they each go forward. Squeeze your outside rein at the same time that you squeeze with your outside leg, and then release the outside rein. Ride the hindquarters straight forward from your seat and legs, as you offset the shoulders with your hands. Be careful that your inside rein is not so tight that your animal bends only his neck to the inside. As you squeeze with the outside aids, feel your equine rock his balance back to the hindquarters, giving you the sensation of pedaling backward on a bicycle. Simultaneously, you should feel the front quarters begin to lighten and become supple.
Take your time and don’t try too hard. Be content at first with two or three steps of shoulder-in and then straighten him down the long side of the arena. After a few accurate steps of shoulder-in, as he straightens his body, you will feel him surge forward with more energy. Collect and slow your equine’s gait through the short side of the arena and then repeat the exercise on the next long side. As your equine begins to understand the concept of rocking his balance to the hindquarters, the surge of energy that you feel when he straightens will become more and more powerful.
down the long sides. To add variation, ask him to lengthen across the diagonals (from corner to corner) as well. Your equine’s first impulse will probably be to shift his weight to the forehand and just speed up. For this reason, do not push him too hard too soon. At first, just ask for a little more energy—be aware that your rhythm and cadence will not be lost as his stride increases. He will just be spending more time in suspension. Keep the forehand light and free while you ride the hindquarters. Let your hand open slightly with the foreleg going forward on the same side, and close as the leg comes back. This will help you to determine how far you can let that stride go before the balance begins to shift forward. It will also allow you to check the balance with your hands before it begins to shift. If he has too much difficulty, you should go back and practice lengthening over ground rails again to gain more strength and coordination.
As your equine gains strength in the hindquarters and is better able to carry your weight, his lengthened gaits will continue to improve until, perhaps a year or so later, he will be able to fully extend his stride at the walk, trot and canter. I caution you, however, that if your animal begins to rush, ask for less.
Massage History
United States. Familiar French terms to describe four broad categories of massage (effleurage, petrissage, tapotement and frictions) were made popular by Johann Mezger. In the 20th century, their work was developed further by their students, and eventually found its way into regular medicine and the alternatives of health and healing. Swedish massage is a popular genre of classic Western massage. It includes Swedish movements, several forms of hydrotherapy, heat lamps, diathermy and colonic irrigation. Swedish massage is still offered at health clubs, some YMCAs, resorts and private clinics, although its heyday was between the 1920s and the 1940s.
When we ride our animals daily and ask them for repeated movements in Jumping, Reining or Dressage, we demand a lot of their muscular and skeletal systems. This can shorten muscle fibers, restricting range of motion and putting undue stress on muscles and joints. Unforeseen problems can result such as lameness, arthritis, disk degeneration, or worse—a ruptured disk. These crippling dysfunctions do not always wait for the animal to age before they appear. Simple massage can prevent various injuries throughout your animal’s lifetime. Don’t wait for obvious injury to occur—preventive massage increases the length of the muscle fibers, taking pressure off the joints.
When the muscles are allowed to contract and expand to their full length, they are able to absorb important nutrients that reduce fatigue. Massage also increases blood flow, which helps the body flush harmful toxins, such as lactic acid, that build up from normal use. Massage aids in reprogramming the nervous system to break patterns that can cause atrophy or knotted tissue. The following information is an introduction to some of the basic techniques of massage, which will enable you to identify areas of discomfort in your equine. It is not intended to replace the care of a licensed massage therapist or veterinarian. If you are unsure as to the severity of an injury, consult your vet!
Palpate along the neck, beginning behind the ears and working your way back to the shoulder. Be sure to check the entire neck from poll to shoulder. Is one side more sensitive than the other? Ribs are a very sensitive area. Check each rib and between the ribs. If your donkey is nippy while being cinched or refuses to change leads, it could be from soreness in this area.
The neck is a good place to begin your massage, making small circles with your fingertips. Imagine your circles as eyes, searching out lumps and bumps under the skin that are knots in the muscle fibers. Start behind the ears and work your way back to the shoulders. If your animal is heavy in the bridle, if he tips his head to one side, or if he has difficulty bending through the neck, he is exhibiting stiffness in this area.
Ribs are a very sensitive area and can refer pain in many directions. Make sure to check each rib and the area in between them. Keep in mind that they span from the back to the belly; this is a large area of sensitivity due to the lack of muscle cover. Include the back when working on the ribs, using your fingertips to feel each vertebra and compare each side for symmetry. If you keep this area relaxed and flexible, your equine will bend more easily throughout his body.
your hand to let you know that it feels good. If he moves away, he is telling you that you are exerting more pressure than he can comfortably endure, and you should go back to using your fingertips. When massaging the hips, the lower back and the last few ribs should be included. Soreness in this area can result from athletic movements like jumping, collection, sliding stops and rollbacks.
A raised head and perked ears may indicate sensitivity. He is asking for lighter pressure, so learn to pay attention to the things your animal tells you about his body. This animal is still concerned about the pressure. Sometimes you will assume that your pressure is so light it can do nothing, but less is best.
The front legs are a good place to begin your passive range-of-motion exercises. Be prepared to let go and get out of your animal’s way. Shake the limb under the animal and then move the limb forward and back, always being aware of his limitations. Each time you work with your animal, his range will increase.
Massage therapy should never be harmful. For the sake of safety and comfort, do not attempt massage therapy for rashes, boils, open wounds, severe pain, high fevers, cancers, blood clots, severe rheumatoid arthritis, swollen glands, broken bones, direct trauma or if there is any chance of spreading a lymph or circulatory disease, such as blood poisoning. Avoid direct pressure on the trachea.
Each time you ride, take the time to quickly go over your animal and assess his sensitive areas: check his range of motion to detect stiffness in the joints. Paying this kind of attention to his body will enhance his athletic performance and provide him with a wonderfully relaxing reward. Stretching the front leg forward is a great movement to make sure that the girth is not pinching your equine after he is saddled. Give your equine the preventive care that he deserves to make your way to a mutually satisfying relationship.







Before most of us learn anything about horses, mules and donkeys, we tend to initially perceive them as large, strong and durable animals that can safely carry us anywhere we want to go and can participate in any number of equine events. This is essentially true. However, there can be a number of pitfalls along the way if you do not educate yourself and practice good maintenance, feeding and training practices.
Let’s take this one step at a time. First, make sure that your equine is stabled in a place where he has adequate shelter from the elements, plenty of room to exercise himself when you are not there, clean water and a good feeding schedule. When an equine is nervous or high strung, it can usually be attributed to this very elemental beginning. Many show horses are kept in 12-foot by 12-foot stalls with limited turnout during the day, usually only an hour or two. Think about this for a minute. The equine is a grazing animal and his natural health is enhanced by what he eats and the fact that he is moving with his head down most of every day of his life. The only time his head is truly raised is when he is on alert.
Muscles in the equine’s body, like our own, are structured in distinctive layers and are supported by ligaments and tendons. These muscles need to be strengthened in a specific order for optimum performance. Whether he is a foal or an older animal, his athletic conditioning needs this taken into consideration. The first exercises should be passive and easy to facilitate the strengthening of the core muscles closest to the bone. This is done with exercises on the lead line. It is not as important that he learns to negotiate obstacles on the lead line as it is how he negotiates the obstacles on the lead line.
For instance, when approaching a bridge, walk with your equine’s head at your shoulder as if you were in a showmanship class. Stop at the foot of the bridge and encourage your equine to stretch his nose down and investigate the bridge in order to allay any fears he might have. When your animal has indicated he is not afraid by once again raising his head level with his withers, you can proceed. Face the bridge straight on, looking straight ahead and, while keeping his head at your shoulder, take the first step straight forward and onto the bridge, making sure he follows and places one front foot on the bridge itself. Next, ask him to place the other front foot onto the bridge, stop, square up his four feet (as in Showmanship) and reward. Continue forward in a straight line. Once all four of his feet are on the bridge, stop, square up and give him a reward. Then continue across the bridge maintaining your own good posture, hesitate at the last step, and then step off carefully, in good balance and with a coordinated effort. Ask him to place his two front feet on the ground while leaving the back feet on the bridge, stop, square up and reward. Your equine will learn to follow your lead and execute the task in the same balanced and coordinated manner and will be able to halt on command at any location.
Halters that are too loose allow too much lag time between the time you ask by giving a tug and the time the equine receives the message. This usually results in an over-reaction from your equine and then an over-reaction from you as you try to correct the mistake. A halter that is too tight can be a distraction because it can create sore spots—the equivalent to a headache and no one likes to perform with a headache! The lead line typically should be a length that you can easily handle and that will give your equine some room to move away, but that can be reorganized easily, usually about six to eight feet long.
This is when it can be beneficial to know the basics of equine massage therapy. There is a lot that you, as your equine’s trainer, can do without a professional equine masseuse, but you should always consult with a professional for lessons on how you can do your part. Make sure that the equine masseuse you decide to use is a person who knows equines and has at least 500 hours experience with equine massage therapy. Once you learn some massage techniques, you can often alleviate minor soreness exhibited by your equine. When your equine senses that your goal is to make him comfortable as well as successful in his work, he will be much more willing and able to comply.
The ideal mule should have a head that is slightly longer than that of a horse, but proportionate to the size of the mule’s body. The features should be prominent and give an overall pleasant appearance. The ears should have length and be nicely shaped, and the eyes should be large, soft and kind, reflecting the mule’s health and intelligence. The forehead should be broad, tapering to a small and delicate muzzle, with a shallow mouth and well-aligned teeth, and the nostrils should be wide to allow for adequate respiration while working. Both the mare and the jack are responsible for the shaping of these characteristics, but the jack has primary responsibility where the length of the ear and the mass of bone are concerned. A jack with a longer ear will, more often than not, throw a longer ear to the mule, while the shape of the ear is determined primarily by the mare. The attractive or unattractive head of the jack can emerge in the resulting mule, so be sure to carefully consider the head on the jack to be used for breeding to produce an attractive head on your mule offspring. Standard-sized jacks and Large Standard jacks most often have a more refined head, while the head of a Mammoth jack may be less refined and possess
thicker bone, particularly around the eyes and jaw line. In the case of saddle mule production, massive bone on an otherwise attractive head can be very unattractive, so using the smaller jacks would be better for a more refined look in your saddle mule (which is also true for the rest of the mule’s body).

The shoulders of the mule should be at a nearly 45-degree angle, with a broad collar surface. Most mares will have this angle, but donkeys have a tendency toward short, steep shoulders, so, to insure that the mule has good shoulders and hips, consider a jack with good length and a lower angle through the shoulders and hips.
The chest of the mule should be deep and prominent, broad and well developed (it should resemble a turkey’s breast), with little or no line of separation (as is seen in a horse’s chest). Since jacks are generally narrower through the chest than are mares, the mare chosen for breeding should exhibit much width and depth through the chest to compensate for the lack of it in the jack.
If a stockier mule is desired (as in the case of breeding for pack or draft mules), a stockier mare bred to a Mammoth jack will produce the desired thickness of bone in the legs of the mule. If a more refined Thoroughbred appearance is desired, the mare should be bred to a Standard or Large Standard jack in order to reduce the mass of the bone in the legs of the mule and retain refinement throughout the body. This does not affect the height of the mule, as the mare is primarily responsible for the mule’s height, while the jack is primarily responsible for the mule’s bone thickness. The forearm and stifle in the mule should be well developed and thickly covered with smooth muscle that tapers to the knee and hock in regular, well-defined lines. Again, these muscles should be thick and smooth, but not bulging, as in horses. The mare will compensate for the limited bulk muscling in the donkey jack, and the jack will contribute and maintain the smoothness of that additional bulk muscle in the mule.
The coat and hair of the mule should be soft and shiny, covering pliable skin. The coat should be soft to the touch, denoting good skin health. Length and thickness of the coat are contributed by both jack and mare. Since donkeys have a typically thick coat of hair, a mare with a thinner coat will balance this thick hair coat in the mule, making him look sleeker and more horse-like than his donkey sire.



